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  • mjswenson1126
  • Jan 9
  • 1 min read

“Would being an art conservator be fun?” I am here today to answer the age-old question. 


An art curator is responsible for researching, organizing, and managing collections and exhibitions in museums, galleries, or cultural institutions. Curators decide which artworks are displayed, how they are presented, and design the layout and rooms for exhibits. Their work shapes how audiences understand the art and what the overall message of the exhibition is.


To become a professional art curator, most institutions require at least a master’s degree in art history, museum studies, or a related field. A strong foundation in art history is essential, as curators must be able to analyze artworks, understand artistic movements, and create exhibitions with cohesion and similar messages between pieces. Excellent writing and research skills are also important, since curators often produce exhibition labels, catalogs, and scholarly essays.


A typical day for an art curator includes researching artists and artworks, planning upcoming exhibitions, and collaborating with conservators, educators, and designers. Curators may meet with artists, negotiate loans with other museums to build a collection, or organize public programs such as lectures and gallery talks. Much of their work takes place behind the scenes, but it plays a major role in what visitors ultimately see in a gallery.


Many college majors can lead to a career as an art conservative, including art history, museum studies, studio art, and cultural studies. New York University, Columbia University, the University of Chicago, and UCLA all offer strong art programs which would prepare students well for work as a curator.


 
 
 
  • mjswenson1126
  • Jan 9
  • 1 min read
















Overall I was pretty happy with my process on this piece. I tried an alla prima technique, and I think it worked well for certain parts of the piece but not as well for others. For the shirt and background it worked well, even though my technique on the background left some to be desired. For the skin tones however, I think that an underpainting would help warmer tones come through and make the painting feel more like a person.

 
 
 
  • mjswenson1126
  • Oct 23, 2025
  • 2 min read

Nicole Eisenman is a French-American artist living in Brooklyn New York. She works in painting, drawing, sculpture, and instillations, and her work typically depicts human subjects mixed with humor, anxiety, and social commentary. Her work often explores her emotions and anxieties, as well as commentary on gender and sexuality (Eisenman herself is lesbian), and social commentary regarding politics and history. Her works are usually centered around human figures in large groups or social events, each with exaggerated features, colors, expressions, and poses. She calls upon the techniques and styles of established masters as well as more contemporary art and even popular culture like comics. She has been active since 1990, and received her BFA in 1987 from the Rhode Island School of Design.



Major Exhibitions:

Solo Exhibitions

2014

Dear Nemesis: Nicole Eisenman 1993-2013

Contemporary Art Museum St. Louis, St. Louis, MO, USA

2016

Al-ugh-ories

New Museum, New York, NY, USA

2018

Baden Baden Baden

Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany

2020

Sturm und Drang

The Contemporary Austin, Austin, TX, USA

2021

Giant Without a Body

Astrup Fearnley Museet, Oslo, Norway

2023-24

What Happened

Museum Brandhorst, Munich, Germany → Whitechapel Gallery, London, UK → MCA Chicago, Chicago, IL, USA

2025

Plastered

Anton Kern Gallery, New York, NY, USA

Group Exhibitions

2019

58th Venice Biennale

Venice, Italy

2019

2019 Whitney Biennial

Whitney Museum of American Art, New York, NY, USA

2023

Dix and the Present

Deichtorhallen, Hamburg, German

2024

The Anxious Eye: German Expressionism and Its Legacy

National Gallery of Art, Washington D.C., USA


Beer Garden with AK, 2009
Beer Garden with AK, 2009

Procession, 2019
Procession, 2019
Another Green World, 2015
Another Green World, 2015

I really enjoy how bright and exciting her art is while still dealing with some very important and heavy subjects. I also like the way she uses figures and large groups in her work as that is something that I would like to work on with my work. I also find the way that she inserts these very large groups into small everyday settings and has them participating in everyday activities, and the way she uses those settings and actions to portray deeper meaning. Overall I really enjoy her work and subject matter and I would like to draw inspiration from her work to incorporate certain aspects like her thematic meaning and large scale into my work.

 
 
 

© 2035 by Annabelle. Wix

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